FIRST PROOF: THE BIBLE CONTAINING THE OLD TESTAMENT AND THE NEW

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Oct 21, 2013
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#1
THE TEACHER OF NAZARETH AND HIS APOSTLES DID NOT USE THE BIBLE BECAUSE IN THEIR DAYS DID NOT EXIST A BOOK CONTAINING 'THE OLD TESTAMENT AND THE NEW'



Erasmus of Rotterdam did not have the ORIGINAL MANUSCRIPTS, but corrupt ones


http://www.greatsite.com/timeline-english-bible-history/erasmus.html
n considering the experiences of Linacre and Colet, the great scholar Erasmus was so moved to correct the corrupt Latin Vulgate, that in 1516, with the help of printer John Froben, he published a Greek-Latin Parallel New Testament. The Latin part was not the corrupt Vulgate, but his own fresh rendering of the text from the more accurate and reliable Greek, which he had managed to collate from a half-dozen partial old Greek New Testament manuscripts he had acquired[SOURCE?]. This milestone was the first non-Latin Vulgate text of the scripture to be produced in a millennium… and the first ever to come off a printing press. The 1516 Greek-Latin New Testament of Erasmus further focused attention on just how corrupt and inaccurate the Latin Vulgate had become, and how important it was to go back and use the original Greek (New Testament) and original Hebrew (Old Testament) languages to maintain accuracy.

Let's see the mark of the beast in the cover of his NEW INSTRUMENT of the year 1516



the beast was pictured in a lot of places of his NEW INSTRUMENT


from Printed Books = Erasmus – Novum Instrumentum - CSNTM


from De wereld aan boeken


from Desiderius Erasmus - Wikipedia, the free encyclopedia

the beast and his double serpent

FACTS ARE FACTS
 

Photoss

Senior Member
Sep 15, 2012
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#2
Johann Froben was the printer of Erasmus' first (and several subsequent) edition Greek/Latin New Testament.
Froben's printers device (show below) has items from his family's coat of arms. The other imagery from the Novum Instrumentum are typical of many books from the post-incunabula period; there is no secret illuminati/devil images depicted. Erasmus' book was aimed at the scholarly community, and the page adornments (which he would not have had control over) reflect that.