AMORALITY - THIS IS AN ANTICHRIST AGENDA
resist unto the shedding of blood.
say NO.
~
cont....
Nietszche Goes to Hollywood
But there was some honesty in Nietzsche. Unlike Richard Dawkins or Sam Harris or (the late) Christopher Hitchens who keep postulating that moral values can exist without God, Nietzsche made it clear that if God is dead, anything is permitted.
If God is dead, you can slash your mother in law with a kitchen knife, you can rape and torture little children for fun, you can destroy people’s lives with fabrications, and that would be all right. In some sense, Richard Dawkins indirectly ends up saying the same thing in River out of Eden: A Darwinian View of Life.
Richard Dawkins
Dawkins declares, “In a universe of blind physical forces and genetic replication, some people are going to get hurt, other people are going to get lucky, and you won’t find any rhyme or reason in it, nor any justice.
The universe we observe has precisely the properties we should expect if there is, at bottom, no design, no purpose, no evil and no good, nothing but blind, pitiless indifference…DNA neither knows nor cares. DNA just is. And we dance to its music.”
According to the logic of this principle, Stalin or Hitler or Mao didn’t do anything wrong; it was good that they had to execute millions of people. They were just dancing to their DNA.
But in The God Delusion, the book that made the Oxford don a celebrity, Dawkins violates his own principles by postulating that “The God of the Old Testament is arguably the most unpleasant character in all fiction: jealous and proud of it; a petty, unjust, unforgiving control-freak; a vindictive, bloodthirsty ethnic cleanser; a misogynistic, homophobic, racist, infanticidal, genocidal, filicidal, pestilential, megalomaniacal, sadomasochistic, capriciously malevolent bully.”
Unpleasant? Petty? Unjust? Ethnic cleanser? How did those moral judgments subtly slip into the equation? Why is Dawkins so judgmental? I thought there were no good and no evil? Could it be that the God of the Old Testament was just dancing to His DNA?
Why is Dawkins so jealous in not letting the God of the Old Testament have His way? Moreover, if He doesn’t exist, why would a person of Dawkins’ caliber be mad about someone who doesn’t even exist? Could it be that Dawkins was implicitly appealing to a transcendent moral law that is independent of what he and others like?
The only difference between Dawkins and Nietzsche is that Nietzsche got guts, and Nietzsche should be applauded for that. But to return to our point, if God is dead, it is all right to lie to your friend, even though that big or small lie might lead the person to his or her own her death. As Nietzsche put it,
“To be truthful means using the customary metaphor—in moral terms: the obligation to lie according to a fixed convention, to lie herd-like in a style obligatory for all.”
From this principle, it follows that morality is an illusion, truth a myth; and a lie is perhaps the best “truth” that will liberate mankind from the shackles of morality, most specifically the morality that stems from Christianity. This madness was a call to overthrow all values, wherever values are found—whether they be tribal or universal. To paraphrase Nietzsche, it is the transvaluation of all values.
Nietzsche declared in The Birth of Tragedy:
“Yes, my friends, believe with me in the Dionysian life and in the rebirth of tragedy. The age of the Socratic man is over; crown yourselves with ivy, take the thyrsus stalk in your hand…You are to lead the Dionysian celebratory procession from India to Greece! Arm yourselves for a hard battle, but have faith in the miracles of your god!”
Who, then, was Dionysus?
It was the Greek god of wine and revelry, and Apollo was the god of the art. And Nietzsche’s choice of Dionysus and Apollo as figurehead to his new religion was a specific one—as god of drama, music, poetry, theater, etc.,
Nietzsche knew all too well that this would bring about the transvaluation of all values. He later declared that “the fight against Christianity is merely a special case.”
Lastly, Nietzsche declared in The Anti-Christ:
“This eternal accusation against Christianity I shall write upon all walls, wherever walls are to be found…I call Christianity the one great curse, the one great intrinsic depravity, the one great instinct of revenge, for which no means are venomous enough, or secret, subterranean and small enough—I call it the one immortal blemish upon the human race.”
The Wachowskis declared, “It’s all there in Nietzsche, man. We dwell in the dominion of truth and are marshalling our armies of metonyms and anthropomorphisms into our future work.” Marshalling our armies? Are we in a war? Well, for the Wachowskis, we are.
At the end of the Matrix Revolution, the third movie, Agent Smith declares that truth and love are “vagaries of perception. Temporary constructs of feeble human intellect trying desperately to justify an existence that is without meaning and purpose. And all of them as artificial as the Matrix itself. Although it’s only a human mind that invents something as insipid as love.” This is Nietzsche in a new garb.
Don’t forget the principle here, if God is dead, then man is in charge. What do we see at the end of The Matrix? Neo, the inversion of Christ, died to save “Zion.” And The Architect said when Neo died, “It is done.” This was Christ’s last words when He died on the cross. The Matrix is littered with biblical languages, but as Joe Schimmel pointed out, at their eventual root those languages are Gnostic inversions of Christianity.
But this is not just happening in The Matrix. For example, in V for Vendetta, when the main character V is introducing himself to Evey, he says, “The only verdict is vengeance; a vendetta held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.” Sounds poetic.
But who wrote the comic book upon which the movie was based? The legendary Alan Moore, a devout follower of Aleister Crowley. Moore declared that “the actual religion Christianity is obviously something that is completely soul-destroying.” And who were the screenwriters and producers for V for Vendetta? The Wachowskis. And once again in the movie V keeps telling Evey that “lies can be used to tell the truth.”
Nietszche Goes to Hollywood | Veterans Today < click